TALK May 22 @ 7pm
Load Na Dito is an artistic and research project based in Manila, Philippines. Developed as a home made culture, currently located in Cubao, Quezon City, it uses any possible space as a site for knowledge sharing, inquiry and discussion. “Load na Dito” is a local top up system for cellphone credit, where you can load anywhere as long as you can see a sign “load na dito.” Developing it as a model, the pair make projects in different locations—building new energies to have “load.” These presentations by Load Na Dito co-founders, researcher-curator Mayumi Hirano and artist-organizer Mark Salvatus, will offer context of their practice working in the Philippines and within the wider Asian art community.
SCREENING: Either a Storm or a Drought June 5 @ 7pm
Special Location: Artspeak, 233 Carrall Street
Video works by artists in the Philippines on view through the evening, curated by Mark Salvatus and Mayumi Hirano of Load Na Dito. We welcome you to drop in early for refreshments and join a casual discussion.
Featuring: CMYKA / Rico Entico / Cocoy Lumbao / Neo Maestro / Manny Montelibano / Annie Pacaña / Gerome Soriano / Shireen Seno / Christian Tablazon / Tanya Villanueva / Kanade Yagi
CONVERSATION June 7 @ 3:30pm
Special Location: Richmond Art Gallery, 7700 Minoru Gate, Richmond
A public conversation between Load Na Dito and Pacific Crossings teams
Mayumi Hirano is an independent curator, researcher and translator based in Manila and Osaka, Japan. She is the co-founder of a multi-disciplinary space 98B COLLABoratory where she was the head of educational program, until 2018. After her curatorial practice at Yokohama Triennale (2005) and Koganecho Bazaar (2008-2013), her research and practice continues to focus on the relationship between art and society. She is currently focusing on developing educational programs that facilitate experimentations with various ideas by using creative mediums. Mayumi was an Asian Public Intellectuals Fellow (2013-2014), and worked as a researcher for Asia Art Archive, Hong Kong (2007-2008).
Mark Salvatus (b. 1980) currently lives and works between Manila, Philippines and Osaka, Japan. He graduated cum laude at the University of Santo Tomas College of Fine Arts and Design Manila with a degree in Advertising Arts. He had solo shows at the Vargas Museum (Manila/PH), Ateneo Art Gallery (Manila/PH), Cultural Center of the Philippines (Manila/PH), La Trobe University Visual Art Center, (Melbourne/AU) and Goyang Art Studio (KR). His works have been presented in various international exhibitions including Video Spotlight: Philippines, Asia Society (NYC/USA, 2015); Neither Back nor Forward: Acting in the Present, Jakarta Biennale (Jakarta/ID, 2015); Survival Kit, (Umea/SW, 2014); Prologue: Honolulu Biennial (2014); Censorship, Move on Asia, Alternative Space Loop (Seoul/KR, 2014); Hotel Inmigrantes, parallel event Manifesta 9 (Hasselt/BE, 2012); 4th Guangzhou Triennale, Guandong Museum of Art (Guangzhou/CN, 2011); 3rd Singapore Biennale, Singapore Art Museum (SG, 2011); Koganecho Bazaar (Yokohama/JP, 2011); X IV Jakarta Biennale, Galeri Nasional (Jakarta/ID, 2011), La Trobe Univeristy Museum of Art | LUMA (Melbourne/AU, 2011), Next Wave Festival (Melbourne/AU, 2010); Asia Panic (Gwangju/KR, 2009). Mark Salvatus is a recipient of the 13 Artists Award from the Cultural Center of the Philippines (2012); Sovereign-Schoeni Art Prize, Hong Kong (2012) and Ateneo Art Awards (2010) and was part of the Philippine Pavilion at the Architecture Biennale 2016 in Venice/IT.
As a space that connects but is not determined by any one people or place, the Pacific Ocean is a fluid region. Our engagement through it imagines the alliances, meeting points or crossing of paths that can take place and where mutual influence, responsibility and care come to build and sustain a shared body of work and practices. Pacific Crossings is an ongoing conversation and public presentation series that draws participants from various regions across the ocean. This collaborative project works to bring together perspectives in an evolving and dynamic exchange, instigating events and activities that can increase public awareness of the multitude of traditions, histories, and practices, offering potential routes for intersection to take place. Thinking both metaphorically and ecologically, the series will address the care and consideration that must emerge for long-term healthy exchange, and the sharing in responsibility as much as resources.
Pacific Crossings takes place on the unceded Territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) First Nations. It is an ongoing series of events conceived of by Makiko Hara, Bopha Chhay (Artspeak), Allison Collins (Western Front), and Shaun Dacey (Richmond Art Gallery).
Previous Events in the Pacific Crossings Series:
Talk: Alternative Tokyo Art Scene – What’s going on?
Saturday January 12, 2pm at Richmond Art Gallery
Ogawa will present the Tokyo alternative art scene and various unique art practices by the young and emerging artists. He will discuss Art Center Ongoing, the alternative art space/cafe in Kichijyoji, Tokyo that runs independent of public funding, hosting international artist in residence, bi-weekly exhibitions with public talks, workshops and live performances. He will also share TERATOTERA a year round public art project developed in collaboration with City of Tokyo and Art Council Tokyo.
Discussion: Alternative Asian Art Network – How do we survive?
Tuesday January 15, 6pm at Artspeak
Sharing his experience of a recent three months intensive research trip to 83 art spaces in 9 countries in South East Asia, Ogawa will discuss the “collective” activities shared among many artists in South East Asia, where organic communities share resources and networking as pragmatic survival strategies within complex socio-political situations, lacking funding for the arts. Following the trip, Ogawa founded “Ongoing Collective”, with his colleague artists, curators, musicians for seeking a new economy and strategy for being alternative.
Screening: Shen Xin, Warm Spell
Sunday February 17, 2pm at Western Front
Shot on the Thai island of Ko Yao Yai and set amidst the environmental change caused by global warming, Warm Spell explores the economic and cultural challenges the island faces as it shifts from a predominantly farming community to one dependent on tourism. The work constructs a ghostly presence, weaving it through the traces of disparity in climate change amongst high and low emission countries, and the experiences of tourism based on racial representations.
Talk: Erin Gleeson, On Attachments and Unknowns: On Sharing Unstable Spaces
Wednesday February 20, 7pm at Western Front
Curator Erin Gleeson speaks about affinitive artistic and curatorial strategies at work in the 2017 exhibition On Attachments and Unknowns. Taking place in Phnom Penh, Cambodia, this group exhibition was held within a research residency FIELDS (2017), hosted by SA SA BASSAC, a non-profit contemporary art space in Phnom Penh (2011-2018). Thirteen artists’ works were convened in part to consider practices of imaging personalized counter-visions to statecraft ideologies and methods in their respective contexts.