Photographer, choreographer, soundtrack composer, electroacoustic genius John Oswald is making an exclusive detour to Vancouver to perform at the Western Front. Renowned for transforming the musics of Michael Jackson, Stravinsky, Metallica, Gyorgy Ligeti, and Dolly Parton, the multifaceted artist behind the Plunderphonics sampling escapades teams up with Glenn Gould in an evening of works for robot piano. Special guest Christopher Butterfield sings Gould.
The Bodhi Project: taal mala personifies Global Glitch Dub, featuring Keenan O’Connor: Tabla, Laptop, FX; Matt Hollingshead: Sitar, Guitar, FX; Adrian Blackhurst: Bass, Laptop, FX
Presented in conjuction with New Forms Festival 2005 www.newformsfestival.com
Multifaceted artist John Oswald nearly always incorporates an electroacoustic element to his productions. His works are part of the regular repertoire of Kronos Quartet, Culberg Ballet of Sweden, Ballet of Monaco, Deutsche Opera Ballet Berlin, Modern Quartet and Penderecki Quartet. Among his recent activities are a sound procession for Brazilia; a choregraphic work for twenty two choregraphers (among which Bill T Jones, Margie Gillis and Holly Small); commissions from groups such as Ballet de l’Opéra of Lyon, Change of Heart, SMCQ as well as Dutch National Radio and the CBC.
He has just completed a work for orchestra, robot piano and the sung and disincarnate voice of Glen Gould for the National Ballet of Canada. In the recent years, he has created a collection of photographic portraits for a series of Moving Stills. One of his “plunderphonics” (audio-video collages made from existing works) was presented at Hayward Gallery of London in May 2000. He is currently creating the soundtrack for Stress, a Bruce Mau film which will be projected onto eight screens, to be presented in Vienna in May. Among his recent productions, there is a radiophonic creation in four languages (Brazillian, Dutch, English and German); writing of the animation and score for Homonymy (for chamber music and cinema); writing of a music for the classic silent film Metropolis; production of a soundtrack for the gay porn movie Hustler White; as well as his participation in the movies Uncut by John Greyson and Sonic Outlaws by Craig Baldwin.
John Oswald’s work is all about metamorphosis, “détournement” and eclectism often realised from existing materials. In 1990, his most famous recording, Plunderphonics (sound collage made from existing musics) whose cover artwork represented a naked Michael Jackson with a woman’s body, has been destroyed by the prudes of the recording industry. Since then, his music was published by Elektra, Avant, ReR Megacorp, Blast First, Swell and empreintes DIGITALes transforming the musics and performances of Stravinsky, Metallica, James Brown, Gyorgy Ligeti, Dolly Parton and many others. A retrospective of his Pluderphonics is currently under preparation. The first disc of his production around the Grateful Dead, GrayFolded, was chosen as the number one international production of the decade by the Toronto Sun. The final version of GrayFolded, finished this year, was selected as the best productions of the year by Rolling Stone, New York Times and many others. That same year, his recording of improvised music, Acoustics, was the first choice of critics at Coda magazine.