Craig Berggold, Laiwan, Melinda Mollineaux and Susan Stewart in conversation with Amy Kazymerchyk

To accompany the exhibition Thought, outside curator Amy Kazymerchyk recorded conversations with the artists Craig Berggold, Laiwan, Melinda Mollineaux and Susan Stewart.

Podcast # 1

Laiwan and Melinda Mollineaux discuss the historical context and conditions within which their respective artworks African Notes Part 1 & 2 (1982) and Cadboro Bay: Index to an Incomplete History (1998) were made; and the formal and technical restoration that was required to present these works in 2020. They reflect upon how the notion of cyclical dialectics resonates with the endurance of these artworks and their formal and conceptual qualities, as well as the artists’ personal histories, artistic practices and social commitments.

Podcast # 2

Craig Berggold and Susan Stewart address the social and cultural climate in which their respective projects A Time to Change (1984) and Drawing the Line (1990) were made. They discuss their mutual interest in engaging visual culture towards social change, and the urgent need to make marginalized experiences visible that motivated each of their works. They also reflect on their projects’ reception within artistic discourse and discuss their precarious visibility within contemporary art.

Thought, outside is curated by Amy Kazymerchyk, a candidate for the MA in Critical and Curatorial Studies at the University of British Columbia. Her exhibition is presented with support from the Killy Foundation and the Audain Endowment for Curatorial Studies through the Department of Art History, Visual Art and Theory in collaboration with the Morris and Helen Belkin Art Gallery at the University of British Columbia. Her research is supported by the Social Sciences and Humanities Research Council of Canada. Special thanks to Maria Hindmarch, Simon Fraser University Library Special Collections and Rare Books, Surrey Art Gallery and Tom Thomson Art Gallery