NEW BRONZE AGE: STREET GAMELAN IN VANCOUVER By Kaelan Unrau In the summer of 2015, the Western Front hosted New Bronze Age, a series of…

Reflections on Event Score, with responses from Eric KM Clark By Jesse Gotfrit     After Event Score, Western Front’s three-day, Fluxus-oriented festival that took…

Reflections on Les Folles Alliées live at Western Front on November 8, 2012 By Sarah Davachi   It will come as little surprise to the…

More information on Evan Parker’s LP ‘Vaincu.Va! Live at Western Front 1978′ can be found HERE. By Alex Varty The first impulse, on revisiting this…

By Andreas Kahre   “As for Acoustic cartography, I would make the —perhaps somewhat provocative— assertion that it is not possible.” – Barry Truax, Acoustic Cartography…

American composer Alvin Curran was a colleague of 20th century pioneer John Cage.   As part of a world wide 100th anniversary celebration of Cage, Curran shared…

By Mark Mushet The track “Wind on Water” from the 1975 LP Evening Star by Robert Fripp and Brian Eno was probably the first notable…

Intersections is an artistic inquiry into social and economic convergences, geographic landmarks and reminiscences about current and historical thoroughfares. Two writers, Sarah Buchanan and Caleb…

In Septermber 2007 Ellen Waterman, flutist/vocalist and music professor and researcher visited the site of artist Gordon Monahan’s audio installation Aquaeolian Harp on the banks…

Profile of Kate Craig by Karen Henry from Caught in the Act, An Anthology of Performance Art by Canadian Women.  Edited by Tanya Mars and Johanna…

Essay by Marina Roy, first published in Canadian Art, Summer 2001.