Results filed under: MacKenzie, Alex

Apparitions

Inspired by early stereo imaging, Apparitions seeks to dismantle cinematic codes while foregrounding projector and light as sculpture. For this two-projector film, MacKenzie uses colour

 

Somber

(W)e are most queasy when we are reminded, forcibly, of our selfness, of the fact that we are these subjects, wandering around, being watched. —